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c. 1445 – May 17, 1510. Italian painter.

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Angelo Bronzino
Altar der Kapelle der Eleonora da Toledo, Szene: Kreuzabnahme, Detail

ID: 72442

Angelo Bronzino Altar der Kapelle der Eleonora da Toledo, Szene: Kreuzabnahme, Detail
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Angelo Bronzino Altar der Kapelle der Eleonora da Toledo, Szene: Kreuzabnahme, Detail


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Angelo Bronzino

(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.   Related Paintings of Angelo Bronzino :. | The Panciatichi Holy Family | Portrait of Eleanor of Toledo and Her Son | Venus, Cupid, Folly and Time | Hand im aufgeschlagenem Buch | Deposition of Christ |
Related Artists:
Mathey, Paul
French, 1844-1929
Olivier, Johann Heinrich Ferdinand
German, 1785-1841
Luigi Crosio
(1835-1915) was an Italian painter who lived and worked in Turin, Italy. He died in Turin and is recorded as having been born in Alba, but the town of Aqua a few miles north of Alba claims Crosio was born there. He attended the Accademia Albertina di Belle Arte in Turin. His immediate work afterwards tilted towards commercial paintings, but thereafter he specialised in genre painting with romantic 18th century scenes and portraits or period characters or Pompeian scenes. He also liked the opera and depicted several scenes from popular operas. He was also listed as a lithographer and was involved in publishing books and images. He had several daughters and one of them, Carola Crosio, married the famous mathematician Giuseppe Peano (of Peano axioms fame) in 1887. In 1898 he painted the famous Refugium Peccatorum Madonna (i.e. Refuge of Sinners Madonna) which was later also called Mother Thrice Admirable Madonna.






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